Lord Krishna says


Uddhav Gopi Lila implies


Lord Krishna says ....

The wise little man "Sankhy-yog" and "Nishkam karma-yog" understand the different and not fully learned man, one of the two men both located in the best way to achieve results is as the ultimate accomplishment. (Gita 5 / 4)

Which is obtained by Sankhyyog, the same is received by Neshkamkarmayog, so that the results in terms of both human Sankhyyog and Neshkamkarmayog sees one, can not see what the real truth is. (Gita 5 / 5)

Neshkam karma-yog: - duty to act without attachment to outcome appears by the knowledge, knowledge is produced and the quietness after the receipt of these two is the realization of devotion, bhakti is the realization of God, the process "Neshkam karma-yog" he says.

Sankhy-yog: - Results from attachment to duty after the completion of action is holding up the quietness, the quietness and wisdom appears after the receipt of these two is the realization of devotion, Devotion is the realization of God, the process "Sankhy-yog" he says.

Both actions the state has to in any case, these two routes enter only by God's grace is able to get it, these two routes of the human life as the ultimate accomplishment is the realization of God.

God's grace is able to achieve only the best way to do their duty actions, so each person before their earthly duty to master the learning of action must, to any person without the duty to act both paths can not enter, these routes enter without the realization of God is impossible.

Duty to act without a single person can not hold without renunciation, a person without knowing his duty to act if action is mystified by the world of sin and virtue, birth and death is constantly receive.

Duty to act without holding a renunciation is made, or enlightened by understanding their duty of deeds is discarded or abandoned pursues his duty as God's worship is the object of the individual self is the enemy.

The world itself, but does not like that person, nor is able to be God, he is hung like a hanging in the middle, life is neither male nor female body achieved the body is able to be obtained.Gopiayan female body was Streyoan knowledge and detachment, but does not appear to have the knowledge and renunciation Similarly Gopiyoan was then but did not appear, devotion to Lord Krishna Gopiyan nature had provided their child, the child That devotion was granted the work in Gopiyoan not desire to wake up, it works in devotion, passion is the biggest obstacle. Thus Gopiyan knowledge, renunciation and devotion due to three perfect Parmhans state had been located.

Uddhav was the male body, the men in the full knowledge and detachment is located in the work that men do not desire, knowledge and renunciation in Uddhav had already appeared, Lord Sri Krishna Uddhav Radharani nature of the devotion to provide was provided was so devotional as Radharani Uddhav knowledge and detachment was located in full so he was entitled to receive devotion and devotion after receiving the Parmhans it was located in the state.The Leela's biggest secret is that God has taught it that there is no difference in men and women, but the two are different religions that are complementary to each other, a man can get the education of man and woman can not meet, and a woman can get the education of men can not get the woman.

Until then, anyone who can not get to God unless he is not receiving Parmhans stage, knowledge, renunciation and devotion Parmhans condition is known as the perfect stage, the Parmhans condition is called as Gopi sense.

Knowledge and devotion only get the quietude receive first grow, to achieve without the knowledge and renunciation is impossible to meet without devotion,To get the ultimate goal of human life, respectively, is more need for three Guru.

1. Physical Guru,
2. Spiritual Guru,
3. Sadguru.

Guru physical education has to us the duty to act, the spiritual Guru of us trained to have knowledge and renunciation, is the realization of the visiting Sadguru that any body of devotion to God himself that we provide are do.

Physical Guru: - Every person born with physical Guru meet, according to age and educational change. The education of all Guru deeds give us the duty of the world.

The first Guru of the person her mother, father second Guru, Guru and the third are teachers, according to teacher education are changing, then after marriage the husband and wife are each other's Guru, A person than the way we ask our Guru for some time that person becomes, thus numerous physical Guru are made.

Spiritual Guru: - Find the person performing duty actions are making spiritual Guru, the Guru's word to hear is called Satsang, which seems to disappear by the spiritual knowledge of the person's ignorance, ignorance die with the same detachment begins to be generated Guru only person to complete the full faith and trust is able to be stable.

Sadguru: - the person's full devotion and complete faith in Guru is stable as the Guru Sadguru for the body of the man appeared and introduced himself as God's own self-offer, by making and experience warrant, the person If faith is the whole body of the person as a charioteer of the chariot are God himself, here located in the body is free of organisms present the results of karma.

He also all living creatures in the body is free of the outcome of the current action, the organism present in the body of your past karma with the results sacrificing the enjoyment of the body continual ultimate abode of God is able to enter, where reaching any creatures The world does not come back. That's the only goal of human life.

Uddhav and there is no difference in Gopiyoan, Uddhav, the following people who understand and recognize the best Gopiyoan big fool them and other crimes in the world, no one else can.

Devotion in the world is known, that whatever other actions are in the world as their common object is the real devotion is derived.

|| Hari om tat sat ||

History of Rangoli

Rangoli

For more options, visit - Rangoli (disambiguation)

Rangoli on lamp burning.

Rangoli India's ancient cultural traditions and folk art. [1] Rangoli in different regions of the name and style may vary but it lies behind the substantial similarity in spirit and culture. This feature gives it its diversity and its various dimensions also represents. Generally it festivals, fasts, prayers, celebration of marriage etc. Good opportunities drought and natural colors are created. It can be simple geometric shapes or shapes of gods and goddesses. Their purpose is decoration and Sumngl. Women often make them home. To be made on various occasions, concerning the opportunity to adapt to these different traditional art - are different. It brought the traditional colors used for dry or wet granulated rice, vermilion, Roli, turmeric, dry flour and other natural colors are used but still in Rangoli also has begun to use chemical dyes. Rangoli Dehri the door, and the celebration of the center of the courtyard space between or around the course is created. Never - never it flowers, wood or any other object filings are made from grain or rice, etc..

History of Rangoli

Indian Rangoli Endesshatie the original shapes of these paintings can be seen.
Rangoli is a name Alpana. Mohan Jodro and Harappa were Ommandi Alpana also meet the mark. Alpana Vatsyayan work - described in the formula is one of Chausst arts. This very ancient folk art. It is generally known of its origins on the 'Alpana' in Sanskrit - 'Oalanpeen the word is derived from, Oalanpeen means - to paste. In ancient times people believed that these artistic images of cities and villages, money - are able to keep full of substrate and its magical effect on the property reserve. This approach Alpana art was practiced religious and social occasions. Many vow or prayer in which the Alpana is given to pre-Aryan era. Swami Anand Kumar, who are called scholars of Indian art, is not the direct connection of Bengal modern folk art is the art of 5000 years ago, the Mohan Jodro. Waratchari movement generator and Bangla folk art and culture by scholars Gurushay Dutt lotus flower between the Bengali women make their Alpanooan, Mohan Jodro it is the time pattern of lotus flowers. Some other scholars are of the opinion that Alpana Austric people in our culture, I like shaved species, which in this country many years before the arrival of the Aryans were living. According to the ancient and traditional folk arts of Bangladesh's agricultural era standing. At that time some people believe that gods and had some magical effects, which would have been a rich harvest of the practice and had run away Preetatmacँ. [2] Alpana inspiration from the same traditional Aleknoan Acharya Awneendranath Tagore in Santiniketan art Used with other painting subjects - with the art made a compulsory subject. The Art of Santiniketan today are known as Alpana. The blonde goddess in the art will enjoy memorable name which is considered the mother of Alpana Santiniketan.

The purpose of Rangoli

Painted on the occasion of Diwali Rangoli at home
Rangoli religious and cultural beliefs is the symbol. It is considered an important part of spiritual process. [3] That yagnas different Ahvenoan and the "altar" while creating the Amaँadne are made. Rural areas in the house - courtyard Buharkar Llypane still exists after the custom of making rangoli. Land - called for the purification of the spirit and prosperity lies behind it. Alpana is a symbol of philosophy of life knowing the passion with which mortality Sumngl present wished to live with and trust remains constant. It knowing that it will be washed away tomorrow, which is the purpose, he wished to be the greatest. Festivals in addition to the house - the family occasions or simply for that matter any other Manglik Rangoli art of decorating is now no longer limited to just Pujagrah. Women of great passion and enthusiasm in every room of the house and make rangoli at the entrance. The hobby itself if only based on their imagination, eternally - is a symbol of the spirit of new creation. Rangoli made the swastika as the symbol, lotus flower, Alkshamiji the step (Pegalie) etc. are considered indicators of prosperity and Mangalkamn. Today many homes next to the continual Dewalyoan Rangoli is made. Customs - customs Sshajti - Ssँwarti this art has become a part of modern families. Avividhtyukh introduction of craftsmanship and artistic interest home - decor created for almost all except the few Amaँadonoan Amaँadne are a symbol of human spirit. And thus an important means to realize that our cultural feelings are considered. A symbol of joy and happiness Rangamayie Rangoli is an expression [4].
Rangoli different provinces

Pukolam ie flower rangoli

Rangoli art is an adornment which India have different names in different provinces. Purna Square in Uttar Pradesh, Rajasthan Mmandn, Aripan in Bihar, Alpana in Bengal [5], Rangoli in Maharashtra, Karnataka Rangaallie, Kollam in Tamil Nadu, Uttaranchal ऐpn, [6] or Muggulu Muggu in Andhra Pradesh, Himachal Pradesh 'Aroopn', in Kumaon Alikhthap or Thapa [7], the Kerala column. There are many variations in these Rangolioan. In Maharashtra, the doors of their homes during the day so make rangoli in order to house an evil force could not enter. [8] India settled on the south side rangoli on the occasion of Onam in Kerala, flowers are used to decorate. [9] South Indian province - Tamil Nadu, Andhra Pradesh and Karnataka "column" but their is a slight difference in the The basics are unchanged. Mulyhः The geometric and symmetrical shapes are decorated. For rice flour or solution is used. Behind the white color of rice flour used to be and is easily available. Between thumb and forefinger of dry rice flour by putting a certain cast is dropped [10]. Mmandn of Rajasthan has been the meaning of the word corroboration is decor. Mmandne various festivals, major festivals and ॠ can be classified according to seasons. Different shapes depending on the size of it also can be divided [11]. Kumaon's "type beat 'or Thapa drafting of a variety of symbols, artistic designs, Bellbutoan is used. Alikhthap society apart - separated by different groups - different icons and art mediums are used. [12] South Indian Rangoli usually based on geometric shapes, while the north of the auspicious signs.
Key elements of Rangoli

Rangoli colors

Rangoli India of any province, he is public art, so its elements are drawn from the public are common. Rangoli is the most important element Utswdhermita. For this auspicious symbols are selected. Such symbols are created in the way of generations - and to make these symbols is required. Traditionally, the new generation learns the art and thus our - my family keeps the tradition intact. [13] Rangoli major symbols of the lotus flower, its leaves, mango, Tue vase, fish, different kind of birds, parrots, geese, peacocks, human shapes and Bellbute Rangolioan are found in almost the whole of India. Rangolioan to be made on special occasions, some special shapes are also connected as the Rangoli in Diwali lamp, Ganesha or Lakshmi. Rangoli using the second key element is the content coming. The same material is used which is easy to get everywhere. So the art rich - poor is prevalent in all homes. Key ingredients to make rangoli in general - Pise solution of rice, dried powder made from the leaves color, charcoal, was burned clay, wood sawdust, etc.. Rangoli is the third important element background. Rangoli for the background was clear or Llype ground or wall is used. Rangoli in the middle of the courtyard, on the corners, or as Bell is created around. Dehri gateway on the tradition of making rangoli. God's seat, lamp base, post and worship at the altar of sacrifice is the tradition of decorating the Rangoli. Over time new imagination and new ideas in Rangoli art is the inclusion. The impact on hospitality and tourism and it is commercially developed. It thus places like hotels, convenient color also is being built on its traditional charm, artistry and importance are still remain.
Rangoli creation of

Rangoli colors
Rangoli is made in two ways. Dry and wet. In both freehand and is created by adding other points. Rangoli points to be made by adding white to the first fixed point on the ground are made of a certain size and then shaking the points forming a beautiful shape takes. After creating the desired color filled shape it. Freehand rangoli image is created directly on the ground [14]. Mmandn make traditional ocher and white is used to stand. Trickling into the market with the colors of Rangoli Rangoli diversify the color can be made. Rangoli making trouble for those wanting the freedom to decorate your home Dehri 'Redimad Rangoli' stickers in the market to meet that want, instead of pasting Rangoli samples can be created. In addition, the market has emerged as the points on the plastic shapes also are available, placing it on the ground putting color on her beautiful shape emerging from the ground appear. Rangoli is the practice of making these items can be used. Meet the cast also including some flour or colored powder that can be filled. According to the samples are small holes. They crash land a slight color Zrta definite places and beautiful piece becomes manifest. Rangoli to make use of plastic is also Steeansils [15]. Rangoli wet rice water mixed Peiskara it is prepared. ऐpn to the solution, called ऐpan or Pithaar. Turmeric also use color to make it is. In addition, colored rangoli in the market to meet the posters, Kreyon, Febrik and acrylic colors are made from [16].
Faith and beliefs

Tamil Nadu column.

This myth is prevalent in Tamil Nadu in the month of Markarie Andaal goddess of marriage from Lord Tihrumal requested. After long meditation he became Lord Tihrumal merge. So this month, unmarried girls got up before sunrise to welcome God Tihrumal Sszati Rangoli. [17] Rangoli on many stories in mythology are prevalent. The first Indian treatise on painting 'pictures symptoms "refers to a story comes, he follows - A son of the king's priest died. Brahma said to the king that he give the boy's sketches made on the ground so as to put life in it. The king on the ground a few lines Akieanchian, Alpana from here or the beginning of Rangoli. In this context is another story that Brahma created the frenzy of the extracted juice of the mango tree in the same shape made of a woman on the floor. Apsarooan was going to beat the beauty of the woman, later the woman Kaahalai Urvashi. Brahma Akieanchian by the shape it's first form of Rangoli. Rangoli on and the mythological references are found - like the marriage of Sita in the Ramayana which has been discussed Pavilion also refers to rangoli. Cultural development in the south of Rangoli originated in the era of the Chola rulers. [18] the use of rice flour to feed back the recognition that the ant should. Here it is believed that the columns of the shed to get food to other living creatures is to protect the natural cycle [19]. Rangoli is removed from the sweep or legs, but these water fountains or mixed sludge is removed from the hands . Mithilaanchal no such festival - festival or (Upanan - marriage as a) not function when the house is not to be painting the walls and courtyard. Different for each occasion of Dँgh "Aripan" which made different - different spiritual meanings are. On the occasion of marriage, groom - bride's room on the walls made the "Kaohaber" and "Naina Jogin" such as pictures, which are actually based on the system, the pattern of the specifics of painting. [20]
Water and Rangoli

Water produced by the flower rangoli

Rangoli today through the artists have made the water too. It stationary over a tub or tank water and put water in the area is flat. It is trying to air or the water may not come across any other kind of momentum. Then the charcoal powder is sprinkled. Rangoli with other materials to decorate the artist. This seems like Rangoli is gorgeous. [21] full flower petals on the water and the Rangoli is made with the aid of lamps. To prevent surface water colors instead of charcoal, the Disteeanpar or molten wax is also used. [22] Some also are made Rangoliaँ underwater. It is full of water in a shallow pot or tray well on a saucer and then putting the oil Rangoli is made. Later on it gently with a slight oil spray water at the bottom of the pot is placed. Rangoli not spread due to put oil in the water. [23] resident of Nagpur, Maharashtra, Vandana Joshi has mastered making Rangoli. Rangoli making it the world's first female over the water and that the world's largest Rangoli on 7 February 2004 by Guinness Book of World Records have been filed in your name. [24] The other major artist Prince to make rangoli on water are sandalwood. They Mita rhythm in Davos on 17-acre water giant has worked wonders to make Rangoli. [25]
Rangoli rooted in tradition and modernity

Vijayalakshmi Mohan made giant Rangoli in Singapore

Rangoli Indian cultural traditions of the ancient folk painting. See this painting as the three main - land illustrations, murals and drawing on paper and textiles. [26] This underlines the most popular land, which is known as Rangoli or Alpana. Mural paintings of Bihar, Madhubani and Thane district of Maharashtra is famous place called Worli. Their composition is similar to Rangoli style and creative content. Good marks on various occasions in a variety of pictures of the walls are decorated. The third type consists of drawing papers or clothing. Tjoँti it in Kumaon, Rajasthan or Perchyean called Afr. Tjoँti where Jiwmaatrkaoan and images of gods are made the same Afr Lokdewatooan genealogy of the kings are portrayed. Andhra - Pradesh and Orissa Pattchitr Kalamkari folk art of the same examples show that this hand-painted folk culture to the most extensive and ancient tradition. It is also clear that the Indian culture lies at the core of how artistry and elegance. [27]

Rangoli artwork as
The artistry and elegance is still seen as changing the auspicious occasions. With the growth of prosperity today to decorate it but good opportunities are not coming forward to arrange any important occasion auspicious Rangoli is made. Whether the release of something or hotel promotions - to be spread, Rangoli decoration is deemed necessary. In addition, today artists and Rangoli Competitions Rangoli Exhibition has also started. There also are some Rangoliaँ who appear to see the pattern of an artwork. These comprise of modernity and tradition can be easily targeted. Rangoli making contests and Arecardoan also amazing sequence began. Guinness Book of World records Vijay Lakshmi Mohan was the first woman to pick up Rangoli, 2003 August 3 in Singapore who created the record. [28] 2009 The record is broken every year. In addition to water to make rangoli record included in the Guinness Book of World records have been.

Ganapati Mantra


Gan Ganapati mantra is to live, containing spells them Uँ - Gan Ghonpatye moist: the chanting is to fulfill all wishes. Economic progress and the chanting of Hadakshaar Samrdhdhidaik.

Musicians Uँ Akrtunday. Unwelcome by anyone for the action to destroy the discipline of Ganapati pickings for the fulfillment of various desires must. While chanting their mouth cloves, molasses, cardamom, Bta, Hambhul, betel nut should be. This meditation is to achieve renewable reserves.

Pickings Ganapati mantra written Pinthachi Uँ Ahssthy Aswaha laziness, despair, discord, as the worship of obstacles to overcome Avihnta Jpe this mantra.

Gan Uँ Kshaipraprasadnai moist:. To remove obstacles to the achievement of wealth and self-Haaramban Jpe Ganapati mantra. Uँ Ghwan damp: the attainment of employment and economic prosperity must chant the Lakshmi Vinayak Mantra. Fortunately Mr Gan Ghonpathye Uँ bridesmaid in Arad Sarwajnan Aashmany Aswaha marriage to those coming off Dohao Nco Tralokhy Mohan Ganesh mantra to chant is the realization of early marriage and friendly partner.

Uँ Akrtundec Drashtay Clieanhian Shrian Gan Ghonpatye bridesmaid Sarwajnan Tu Rashmany Aswaha Arad. In addition to the mantra Atharvshiarsha Ganapathy, Sankatnshak, Ganesh source, Ghneshakaac, children Ganapathy source, source Mayooresh source ऋonherta Ganapati, Ganesh Chalisa text is derived from the grace of Ganesha.

Jai Maa karni


jai maa karni,a temle of holy rats Karni Mata was born on October 2, 1387 in the village of Suwap in the Jodhpur district of Rajasthan. The seventh daughter of Mehoji Charan and his wife Deval Devi, her original name was Ridhubai. According to legend, she earned the honorific name Karni at age six by miraculously curing her aunt. Mata—a term meaning "mother"— was commonly added to the names of those worshipped as mother goddesses. She married Dipoji Charan of the village of Sathika around AD 1415 but did not live a conventional "married life."

Later on she arranged the marriage of her husband with her younger sister Gulab. She lived in her in-laws' village for about two years before leaving with her followers and a herd of cattle to live a nomadic life, camping at sunset. One such a camp was made at village Jangloo, but a servant of Rao Kanha who was ruler of the place denied them access to water for people and cows. On this Karni Mata declared her follower Rao Ridmal of Chandasar as new ruler of the village. And moved on to the further journey. When she reached near Deshnok, Rao Kanha himself came to oppose her camping but he died. Karni mata stopped further wandering and started living there. Her husband Depoji died in AD 1454. Rats became sacred in her temple when Karni Mata's stepson Laxman drowned in a tank he was attempting to drink from.

Karni mata implored Yama, the god of Death; though he at first refused, Yama eventually relented, permitting Laxman and all of Karnimata's male children to be reincarnated as rats.[3] In AD 1453 she gave her blessing to Rao Jodha of Jodhpur in conquering Ajmer, Merta and Mandor. In 1457 she went to Jodhpur at Rao Jodha's request to lay the cornerstone of the fort at Jodhpur.

Her first temple was constructed in village Mathaniya during her life-time by her follower Amra Charan. In AD 1472, she arranged the marriage of Rao Bika (the fifth son of Rao Jodha) and Rang Kunwar (daughter of Rao Shekha of Pungal) to turn the enimity of the Rathor and Bhatian families into friendship. In 1485 she laid the foundation stone of the fort of Bikaner at the request of Rao Bika. In 1538, Karniji went to visit Maharaja of Jaisalmer. She was travelling back to Deshnok with her stepson Poonjar and few other followers on 21 March AD 1538. They were near Gadiyala and Girirajsar of Kolayat district in Bikaner district where she asked the caravan to stop for water. She disappeared there at the age of 151 years.
Related Posts with Thumbnails